Here is an introduction to the artistic value of Jinan Iron Gate:

　　鐵藝大門(mén)的欣賞是原始鐵藝自然美的滄桑，欣賞其人工鍛造的手工錘痕，而不是工業(yè)機(jī)械的痕跡。鐵礦石只能變得越來(lái)越少。更原始更傳統(tǒng)的工業(yè)生產(chǎn)更有價(jià)值的選擇并不出現(xiàn)在工藝制造,鐵藝產(chǎn)品,只要是生命力的工藝打造,由于一些凌亂的外觀(guān)和賦予人性化,個(gè)性化,不出來(lái)的機(jī)器工業(yè)模具的成千上萬(wàn)的物品,和每一塊工藝,鐵藝的作品,只能是一個(gè)孤兒作品,沒(méi)有第二個(gè)這樣的東西。人類(lèi)可以依靠機(jī)器，利用機(jī)器制作鐵門(mén)、鐵門(mén)，輔助描繪個(gè)性化的作品，但絕對(duì)離不開(kāi)工藝。鐵的需求描述，和制造師傅可以進(jìn)行描述，進(jìn)行再創(chuàng)造。所以,鐵的藝術(shù)”的含金量凹凸,除了基本的長(zhǎng)度,原材料、厚重,主要看到的鐵藝大門(mén)描述審美內(nèi)容和工藝制造的智慧的凝聚力,看到它的商品是一件藝術(shù)品。

　　The appreciation of the iron gate is the vicissitudes of the natural beauty of the original iron, and the traces of its hand forged hammers, not the traces of industrial machinery. Iron ore can only become less and less. The more primitive and traditional industrial production, the more valuable choice, does not appear in the process manufacturing. Iron products, as long as they are made by the process of vitality, because of the messy appearance and humanization, personalization, the thousands of items that can not come out of the machine industrial mold, and each piece of technology, iron works, can only be an orphan work, there is no second such thing. Human beings can rely on machines to make iron doors, iron doors, and help depict personalized works, but it is absolutely inseparable from technology. The demand description of iron and the manufacturing master can be described and recreated. Therefore, the gold content of "iron art" is concave and convex. In addition to the basic length, raw materials, and massiness, the iron art gate is mainly seen to describe the aesthetic content and the cohesion of the wisdom of process manufacturing, and its commodity is a work of art.

　　以上介紹的是濟(jì)南鐵藝大門(mén)的藝術(shù)價(jià)值，希望大家有了解，更多信息請(qǐng)登錄:http://www.qcfootdoc.com

　　The above is about the artistic value of Jinan iron gate. I hope you can learn more about it. For more information, please visit: http://www.qcfootdoc.com